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Artworks

Print and Multiples, Sadegh Tirafkan, Untitled, 1985, 337 — 1985 | Untitled

Sadegh Tirafkan

Print and Multiples, Sara Rahbar, Love Arrived and How Red No. 11, 2008, 552 — 2008 | Love Arrived and How Red No. 11

Print and Multiples, Parastou Forouhar, Ashoura Day, 2010, 4890 — 2010 | Ashoura Day

Parastou Forouhar

Mixed media, Charles Hossein Zenderoudi, Einak Azad Asst (Wearing Glasses Is Allowed), 1963, 7601 — 1963 | Einak Azad Asst (Wearing Glasses Is Allowed)

Charles Hossein Zenderoudi

Painting, Reza Derakshani, Anari Gold, 2015, 8648 — 2015 | Anari Gold

Reza Derakshani

Painting, Manouchehr Niazi, Crowd of People, 2004, 8770 — 2004 | Crowd of People

Manouchehr Niazi

Mixed media, Farhad Ahrarnia, Beautiful Is the Silent of the Ruins Vi, 2011, 10573 — 2011 | Beautiful Is the Silent of the Ruins Vi

Farhad Ahrarnia

Painting, Sepehr Bakhtiyari, Heritage of the Blood, 2008, 13615 — 2008 | Heritage of the Blood

Sepehr Bakhtiyari

Painting, Alireza Espahbod, Untitled, , 21170 — Untitled

Alireza Espahbod

Painting, Shahrooz Sadr, Untitled, , 21874 — Untitled

Painting, Bahman Mohammadi, Untitled, 2020, 30260 — 2020 | Untitled

Bahman Mohammadi

Painting, Morteza Pourhosseini, Untitled, , 35415 — Untitled

Morteza Pourhosseini

Drawing, Ahmad Morshedloo, Untitled, 2019, 37080 — 2019 | Untitled

Ahmad Morshedloo

Painting, Zabihollah Mohammadi, Untitled, 2019, 45613 — 2019 | Untitled

Zabihollah Mohammadi

Photography, Morteza Niknahad, Untitled, 2017, 46673 — 2017 | Untitled

Morteza Niknahad

Painting, Shiva Noroozi, Still Here, 2020, 53564 — 2020 | Still Here

Photography, Sasan Moayyedi, No 11, , 54661 — No 11

Painting, Soheila Sokhanvari, She Walks in Beauty (Portrait of Shohre Aghdashloo), 2022, 63164 — 2022 | She Walks in Beauty (Portrait of Shohre Aghdashloo)

Soheila Sokhanvari

Photography, Sasan Moayyedi, Bushehr, Fishing Pier, 1984, 69985 — 1984 | Bushehr, Fishing Pier

Painting, Nafiseh Emran, Untitled, 2024, 76031 — 2024 | Untitled

Drawing, Alireza Espahbod, Untitled, 1988, 76680 — 1988 | Untitled

Alireza Espahbod