I say this because I might have come to Persian painting in cases that were related to the works, but not because I wanted to put myself in the context of the mainstream. Even in this series, some might think the works to be merely decorative, or according to what is in vogue, etc. but this should be considered that despite the interest I've always taken in these themes, I have avoided them in some cases, for I didn't want them to be interpreted in such a way, or to make sure that I am not thinking about such things unconsciously. But this time around, I've come to this matter quite deliberately, and as you rightly pointed out, this time I don't have a humorous approach anymore and my work is coming from a bigger idea. And your question was about how I have separated them from their contexts.