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Artworks

Painting, Mohammad Ali Baniasadi, Untitled, 2007, 2054 — 2007 | Untitled

Mohammad Ali Baniasadi

Painting, Koorosh Shishegaran, Untitled, 1978, 4565 — 1978 | Untitled

Koorosh Shishegaran

Photography, Newsha Tavakolian, Untitled, 2012, 10942 — 2012 | Untitled

Newsha Tavakolian

Print and Multiples, Atefeh Majidi Nezhad, Ring of Conditional Configuration 2, 2016, 13097 — 2016 | Ring of Conditional Configuration 2

Atefeh Majidi Nezhad

Painting, Masoumeh Abirinia, Untitled, , 13916 — Untitled

Masoumeh Abirinia

Painting, Ahmad Amin Nazar, Untitled, , 22681 — Untitled

Ahmad Amin Nazar

Drawing, Toktam Saberi Ashrafi, Untitled, 2020, 45167 — 2020 | Untitled

Toktam Saberi Ashrafi

Painting, Navid Azimi Sajadi, Untitled, 2021, 48117 — 2021 | Untitled

Navid Azimi Sajadi

Painting, Parisa Shabani, Untitled, 2019, 49574 — 2019 | Untitled

Painting, Marzieh Bagheri, Untitled, , 50820 — Untitled

Marzieh Bagheri

Mixed media, Samira Shakeri, Untitled, 2020, 51325 — 2020 | Untitled

Painting, Yacob Amamehpich, Untitled, 2014, 53153 — 2014 | Untitled

Yacob Amamehpich

Painting, Maryam Mohry, Two Hours Past Midnight, 2021, 54426 — 2021 | Two Hours Past Midnight

Video Art, Hossein Valamanesh, What Goes Around, , 56965 — What Goes Around

Hossein Valamanesh

Drawing, Farhad Fozouni, Untitled, 2010, 58120 — 2010 | Untitled

Works on paper, Leila Mirzakhani, Cages, 2014, 61062 — 2014 | Cages

Leila Mirzakhani

Painting, Morteza Khosravi, Untitled, 2021, 61621 — 2021 | Untitled

Morteza Khosravi

Sculpture, Mohammad Piryaee, Untitled, 2022, 66300 — 2022 | Untitled

Mohammad Piryaee

Painting, Shaya Shahrestani, Kafkaesque, 2022, 66797 — 2022 | Kafkaesque

Shaya Shahrestani

Painting, Minoo Yal Sohrabi, Unnumbered Pages from a Lost Recipe Book: Chop, Slice, Slather, 2023, 71036 — 2023 | Unnumbered Pages from a Lost Recipe Book: Chop, Slice, Slather

Minoo Yal Sohrabi

Print and Multiples, Mohammad Barrangi, Grant Me Such a Dance Right at the Center of the Floor I & II, 2025, 84112 — 2025 | Grant Me Such a Dance Right at the Center of the Floor I & II

Mohammad Barrangi