To me, the fundamental point in these works is how one can observe nature and the objects therein from a myriad of angles. I am constantly pondering the familiarity and strangeness of times and places, in world that though somewhat illuminated can be fragmented into countless parts and create a harmonic whole by bringing together seemingly disparate elements. Hence the question arises: 'Is this the human mind that lends such harmony to things?' I have endeavored to move along a narrow border between abstraction and objectivity. Therefore, light was interblended with color, and, like components of a language, heterogeneous elements were applied to arrive at novel harmonies. In order to achieve a concept of place which does not merely include objects, place was sought to be an object of knowledge. As aspects of layout and color, I intend that light, time, place, and ambiguity together guide us to a position which is as familiar as the world itself, the familiarity which would henceforth serve as a mask behind which all familiar aspects fall apart, leaving us in a more unfamiliar state than when we first encountered this world.