نمایشگاه نقاشی

Decades later, the painter, a time-catcher, strolls through the streets of tehran, camera in hand. His nostalgia for the access points of his childhood descend into real geography, real street names and the city becomes immortalized three times over each with its own story, intimating a unique homesickness that in the painters gave turns into a poetic derivation of the original poetry, the door