The Rhythm of Existence

Statement:

Set your foot on the path and ask nothing

The road itself will tell you how to go

— Attar

Working improvisationally with a living material, I engage with its historical memory as an unfolding presence. Sculpture emerges not through the imposition of form, but through a phenomenological dialogue with matter, where intuition and embodied perception attune to the material's immanent logic.

In this process, I act less as a maker than as a mediator, accompanying the rhythms and transformations through which form reveals itself. The resulting geometry becomes a language—a visible trace of the encounter between matter, memory, and perception.