In addition to displaying a strong intuition for their materials, Bisig, Farajabadi, and Yasat all share what could be described as a pragmatic or experimental approach to the exhibited work: Yasat parts with things unreservedly in order to present them to us in new configurations; Farajabadi is able to create an inexhaustible and cross-cultural formal vocabulary using simple materials; and lastly Bisig explores the medium of sculpture and creates a virtually endless series of works on paper that he submits to various rules. In this manner, the sculptures by all three artists make viewers aware of their structure, compelling them to take a closer look.