Statement:

Finding a means to live together without violence or antagonism will take a form of imagination and invention" Edward Said said in 1978.

Being half Iranian and growing up in America during the revolution, Fakhr faced abuse and shame he didn't understand as a child. Through his paintings, Fakhr processes these complicated emotions. In this collection, he illustrates the beauty of the multi-layered cultures he was constantly exposed to, by painting over his old work and layering them. Growing up in Boston he was taught a very traditional Western technique of oil painting. By superimposing Eastern philosophies through English and Farsi texts, he aims to celebrate the juxtaposition as a creative solution to an ongoing worldly conflict. In what he calls “gentle civic disruptions,” Darvish channels his influences and inspirations from Sufism to challenge our preconceived notions of culture and tolerance in performance work that strikes viewers with its surrealism, humor, and optimism. Though he is not a practicing Sufi, his work is meant to pay homage to the purity of Sufi mysticism, to the point where he describes himself as a "Sufi Skool Dropout". The guerrilla nature of such work is meant to disrupt the daily movement of our lives.///

His art and lifestyle, he says is rooted in concepts of newness. “I look for various ways of straddling extremes as a test case for tolerance and creativity, by celebrating our inherent contradictions. One moment I am carefully rendering the turn of a cheek bone in space, the next I am vandalizing it. One moment I am paying homage to purity of Sufi mysticism from the East, the next I am coveting cash from the West. One moment my body is a temple, the next I am riding dirt bikes over the pews. Dance and Painting is how I am best able to split the moment and climb through to something outside of myself.” Says Darvish of his art and life.