Atefeh Majidinezhads monotype prints from her lwan of condition configuration series, are an exploration in the architecture of organized ideaology and man-made systems. Through repeating lines and their quality of interaction with the media the artist has created grand perspectives, referring to being weighed under the hegemony of such structures the use monotyoe printing has caused each piece to be unique, while maintaining the characteristics of manual printing using this technique gave the works an indirect aspect that relied on incidence and interaction with the media. Following her previous work, she focused on using techniques like mono-print, characoal and ink drawing to continue her studues on architectural settings. During a residency at stichting open ateliers zuid-Oos (summer/autumn 2018, amesterdam the netherlands) sge created an installation by painting on lace fabric to create architectural landscapes the secen meter wide installation in this exhibition follows that practice the approach seeks to convey this expressiveness of perspective elements in an architectural setting while reducing the same aspects into flat surfaces. Zero-G in the title of this exhibition is a refrence to the suspension and weightlessness felt by experiencing the flat perspective of the installation.