The works of “Photographs Afront” are all shot by a Polaroid instant camera, which means that the process of representation is done directly through the lens. Here, however, the agent, namely the photographer, has blocked the camera’s field of vision, interrupting the representation. The subject’s will has obstructed the representation, disrupting the mindless mechanism with his decision. Therefore, there remains neither the photograph as the object of reorientation nor the world as its subject matter. There is, in fact, nothing to see: it is up to the perceiver to decide, judge, and imagine if he or she is to find any answer concerning the nature of these works. The only clue that gives an orientation of sorts to our interpretation is the title written on the lower margin of each photograph.