The curator took into consideration the method and style of Iranian new media arts, unique in method and form. The treatment of the subject, the narrative style and the relatively different local content contributed to the creation of an exotic form (although sometimes incomplete compared to its form / style) in the new Iranian media. The determining principles of this formation are more rooted in history. New media cannot attract significant attention in the country's art institutions and the presentation of these works is often seen as an artificial action from the point of view of producers and directors. After more than two decades of new media productions in Iran, a large number of influential galleries of art does not take these new productions into consideration and see them as unproven media or unrelated to the Iranian public.///  Undoubtedly, this situation is not compatible with the search for the independence characteristic of contemporary art. Therefore, artists of this medium inevitably introduce their works in short films, animation festivals or biennials of contemporary art in other countries. Their works arouse a lot of international enthusiasm, Iranian video-art has found its form and space in an interdisciplinary state of Western and Eastern art. artists of this medium inevitably introduce their works in short films, animation festivals or biennials of contemporary art in other countries. Their works arouse a lot of international enthusiasm, Iranian video-art has found its form and space in an interdisciplinary state of Western and Eastern art. artists of this medium inevitably introduce their works in short films, animation festivals or biennials of contemporary art in other countries. Their works arouse a lot of international enthusiasm, Iranian video-art has found its form and space in an interdisciplinary state of Western and Eastern art.

Curator: Saeed Khavar Nejad