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Soft Edge of the Blade
Group Show

10 Feb - 1 Mar, 2022

Soft Edge of the Blade

Dastan presents the first in a new series of exhibitions, called 'Soft Edge of the Blade', at Frieze's No.9 Cork Street in February 2022. This will be a 'Dastan: Outside' event, gathering a long list of contemporary Iranian artists. The focus of this project is on how Iranian artists today deal, in their work, with different aspects of violence in its various 'soft', symbolic, hidden or underlying guises, common to the "Middle East". The outlook is not limited to the more obviously visible 'state' violence of war or political oppression.The intended scope is broader and more subtle, extending to numerous more insidious forms of ‘soft’ violence affecting Iranians today: migration and diaspora, identity and gender, patriarchy and family, the impact of the complexities of history on the day-to-day life of Iranians at home and or abroad, the use of language - e.g. on social media - to disparage or oppress... 'Soft Edge of the Blade' allows UK audiences to continue exploring Iran’s contemporary scene, with a focus on powerful themes of relevance and interest to global audiences.

Artists

In this show

Amin Montazeri, Tear, 2021, 0
2021 | Tear

Amin Montazeri

100 × 70cm

Andisheh Avini, Untitled, 2015, 0
2015 | Untitled

Andisheh Avini

31.75 × 25.4 × 4.4cm

Ghasemi Brothers, Untitled, 2021, 0
2021 | Untitled

Ghasemi Brothers

185 × 249cm

Bahman Mohassess, Untitled (Personaggio), 1967, 0
1967 | Untitled (Personaggio)

Bahman Mohassess

80 × 60cm

Bita Fayyazi, Mischievous Incubus of Lore, 0, 0
Mischievous Incubus of Lore

Bita Fayyazi

15 × 45 × 15cm

Sam Samiee, "Over Hussein's Mansion What Night Has Fallen?" (After Rooms Are Never Finished by Agha Shahid Ali, 2020, 0
2020 | "Over Hussein's Mansion What Night Has Fallen?" (After Rooms Are Never Finished by Agha Shahid Ali

Sam Samiee

130 × 110cm

Sahand Hesamiyan, Kanoon I and II, 2020, 0
2020 | Kanoon I and II

Sahand Hesamiyan

Charles Hossein Zenderoudi, My Telegram Got Lost, 1967, 0
1967 | My Telegram Got Lost

Charles Hossein Zenderoudi

100 × 70cm

Shayan Sajadian, Bloody Eyes, 2020, 0
2020 | Bloody Eyes

Shayan Sajadian

70 × 70cm

Ali Akbar Sadeghi, Noah The Demon, 2018, 0
2018 | Noah The Demon

Ali Akbar Sadeghi

197 × 148cm

Farah Ossouli, How Sweet to Me That Vanished Season When with My Friend I Joyed! The Remnant of My Time Wasted, and Was of Wisdom Void., 2006, 0
2006 | How Sweet to Me That Vanished Season When with My Friend I Joyed! The Remnant of My Time Wasted, and Was of Wisdom Void.

Farah Ossouli

76 × 62cm

Farrokh Mahdavi, Untitled, 2021, 0
2021 | Untitled

Farrokh Mahdavi

161 × 141cm

Fereydoun Ave, Untitled, 0, 0
Untitled

Fereydoun Ave

300 × 180cm

Ghasem Hajizadeh, Photo de Souvenir, 2009, 0
2009 | Photo de Souvenir

Ghasem Hajizadeh

90 × 60cm

Mohsen Vaziri Moghaddam, Untitled, 1987, 0
1987 | Untitled

Mohsen Vaziri Moghaddam

124 × 137cm

Mamali Shafahi, Heirloom Velvet, 2021, 0
2021 | Heirloom Velvet

Mamali Shafahi

89.5 × 123 × 16cm

Mehdi Ghadyanloo, Untitled, 2021, 0
2021 | Untitled

Mehdi Ghadyanloo

48.5 × 28.5cm

Nasser Bakhshi, End of the Dream, 2020, 0
2020 | End of the Dream

Nasser Bakhshi

120 × 85 × 48cm

Nikzad Nodjoumi, Show Me the Wicked, 2008, 0
2008 | Show Me the Wicked

Nikzad Nodjoumi

215.9 × 165.1cm

Hoda Kashiha, Erasing the World, 2021, 0
2021 | Erasing the World

Hoda Kashiha

120 × 150cm

Installation view

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