Shahmoradi has tried, in his collection called "home", turn his lived experience and specific working style into a novel construction through a contemporary narration. This is why the painter, choosing closed Framing, has made an effort to make a particular installation eternal in a spaceless and timeless world, relying on semantic denotations. Selecting places and objects which are nostalgic and memorable on their own, acts as an instant photo in her paintings, which obtain new forms alongside with the two different narrations in colouring and chiaroscuro and seize their decay. Thus, this silent and familiar collection is a praise of life more than a lament on decay and Sima Shahmoradi is the discoverer of the refractive reflections of its shading. Kianoush Motaghedi