Empiricism, the importance of what happens at work, improvisation, as well as the use of seemingly useless and recycled things, have always been important and interesting principles in the process of shaping a work of art. This drew my attention to the color palettes of my paintings that had all these principles. The beauty and combination of the dried colors on the palette was so pure to me that it seemed to me to be a perfect work of art. Intertwined colors, varied textures, the elevation of heights, and the aimless and bold play of colors together created a new world that borrowed its charm from improvisation. In this way, I made these dry and irreplaceable layers of paint the material of my work, and by putting together the puzzle of pieces of paint, I indirectly painted portraits. Portraits of layered human beings that are declining and these layers of color in some way signify the layers of their existence.