The Monir Museum located in the historic Negarestan Museum Park Gardens, the museum is home to over fifty pieces from the artist’s personal collection, kept on permanent display for the public to enjoy. In the 1950s, after a trip to Shiraz, Farmanfarmaian was influenced by the mirror work of Shah Cheragh. She incorporated this tradition into her works with a modern twist, achieving a distinctive style. Monir was actually the first contemporary artist to use this ancient heritage in her creations. In another room, there are geometric works, freehand designs, and boxes titled “Confessions.” In the middle of the room, there is a volumetric piece called “Bridal Chamber,” with names of well-known individuals such as Sohrab Sepehri, Forough Farrokhzad, Nima Yooshij, Akhavan Sales, Sabar and Abolbashir Farmanfarmaian, Mohammad Modabber, and Hossein Qollar Aghasi written on it. Above the bridal chamber, feathers reminiscent of the Tasua and Ashura ceremonies are installed. Overall, the museum showcased a selection of the artist’s work spanning six decades. These pieces were created with a fresh perspective on mirror work, reverse glass painting, Khatamkari (inlay work), Islamic geometry, and architectural design. Due to their unique style, which is a form of geometric abstraction, these works can be considered a fusion of traditional Islamic patterns and modern designs.