IMAGE? The Power of the Visual

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IMAGE? The Power of the Visual
Group Show

111 days to the ending

9 Apr - 5 Sep, 2022

Group Show

IMAGE? The Power of the Visual explores image-making over the centuries through the lens of historic and contemporary artworks from diverse Muslim cultures. The 62-piece exhibition reflects on humanity’s timeless preoccupation with images and explores their capacity to project power, reflect inner spiritual or poetic visions, give expression to ideals held dear, or express key aspects of identity./// We are surrounded, in fact inundated, by images and we often have little time to contemplate their deeper meaning; IMAGE? aims to open the visitor’s eyes to the power of images that surround us every day, be they in museums and galleries, on our smartphones or in the mass media. Click here to visit the digital exhibition site The artifacts on display include exquisite folios, manuscripts, tiles, panels, drawings, paintings, bowls, photographs, textiles, and videos from the Museum’s own Collection; including 17 international loans from North America, Europe, and the Middle East from lenders such as The Metropolitan Museum of Art, The Art Institute of Chicago, Los Angeles County Museum of Art, and Shahzia Sikander. The exhibition is divided into four main sections, with each one focusing on different aspects of how images express — and, in turn, shape — our beliefs, ideals, and experiences. Power and Authority The first section showcases how rulers across the centuries have used carefully coded, visual strategies to assert power and advance their ideas about ideal rulership. Faith and Spirituality This section examines the age-old question of how to commune with the Divine using artistic means and visualizations. Values and Ideals From bravery and loyalty to love and freedom, the third section shines a light on how human qualities and notions are brought to life through storytelling and idealized images. Identity and Self The exhibition concludes with a section devoted to Identity and considers how human beings have always aimed to project their identities, culminating in today’s selfie-obsessed and saturated global visual culture that dramatically shapes our understanding of ourselves, others, and the world at large.

Artists

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