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Ghazaleh Avarzamani- Solo Show

91 days to the ending

6 Nov - 27 Feb, 2022

Ghazaleh Avarzamani- Solo Show

Terms and Conditions Apply is a clever commentary on invisible power structures that shape how we navigate the world. From an interior stained-glass mosaic overlooking the Museum Gallery to 24 tons of blue rubber mulch enveloping our reflecting pools, Avarzamani challenges viewers to look out for the systems of control that exist in our everyday environments and reflect on how they might affect our behaviour. Visually, 30 stained-glass mosaics overlooking the Museum have little in common with 24 tons of blue rubber mulch — the same kind used in playgrounds to guard children against serious injury — piled into the reflecting pools in the Aga Khan Park. Delve deeper, though, and you will discover that both installations are clever, eye-catching commentaries on invisible power structures that shape how we navigate the world. Avarzamani’s creations are the product of her time as the inaugural Aga Khan Museum-Delfina Foundation Artist-in-Residence. While interacting with Museum curators and conservators, she was struck by how many measures were in place to preserve the artifacts in our Collection for future generations. It got her thinking about how the strides taken to protect the objects — from controlling the air temperature to displaying particular works only once every few years — influence the viewer’s experience of visiting an art gallery./// Of course, each of us navigates highly structured, pre-designed environments all the time. Whether we notice it or not, systems of control exist even in seemingly open and free-flowing shared spaces such as parks, malls, government buildings, and public squares. And with *Terms and Conditions Apply, Avarzamani challenges viewers to look out for these systems and reflect on how they might affect our behaviour. How do these structures guide us, protect us, or enhance our experience? How do they shape our own choices or subtly limit our freedom? Is the trade-off worth it? Avarzamani’s work poses these and other important questions with her new exhibition for the Museum.

Installation view

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