In the 8th Yokohama Triennale, "Wild Grass: Our Lives",  we wish to revisit a selection of historical moments, events, figures, and trends of thoughts since the beginning of the 20th century. Some examples include the resonance of Japanese and Chinese left-wing woodcut movements in the early 1930s, the rise of subjective imaginary in the postwar cultural construction in East Asia, the reflection on modernity after the global radical movements of the late 1960s, and the critical and emancipatory energy of postmodernism in full swing in the 1980s. On this basis, we draw inspiration from the anarchist practices and thoughts that have emerged since the proposal of the end of history, to explore options for possible dialogue between individuals and established rules, and institutions. In this Triennale, we prioritize the relationship between art and its intellectual underpinnings.